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Browsing Oil Paintings in alphabetical order...

"A Child is born" (2013), 122 x 183, after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: Responsoria pro hebdomada sancta ZWV 55 (Coena Domini Responsoria I-IX, Paravesce Responsoria I-III))
"A dream of yellow flowers" (2010), 61 x 61, after the music of Johann Jakob Froberger (1616-1667) (compositions used: Suites for harpsichord - "The Strasbourg Manuscript" (suites II-VI,XI and XII))
"A Flower from the Magical Garden" (2020), 71 x 55.5, after the music of Mozart (1756 - 1791) (compositions used: Violin Sonatas, Nos KV 296, 301-304; Variations KV 359)
"Acrobats" (2002), 91 x 107, after the music of Bohuslav Martinu (1890-1959) (compositions used: Flute trios and madrigals)
"Adam and Eve" (2005), approx. 15 x 12
"Adam and Eve in the crystal garden" (2003), 112 x 112 , after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano Quintet, String Quartet No. 12)
"Adoration of the Magi" (1998), 71 x 71
"Allegory of Autumn" (2017), 86.5 x 86.5 , after the music of Max Reger (1873-1916) (compositions used: Lieder)
"Allegory of Prayer - Joan of Arc" (2018), 71 x 55.5, after the music of Pyotr Ilyich Tchaikovsky (1840 - 1893) (compositions used: Liturgy of St John Chrysostom, Op. 41; Nine Sacred Choruses (1884-5); Angel vopiyashe (The Angel cried) 1887)
"Allegory of sound" (2004), 112 x 112, after the music of Josquin (c. 1450 to 1455 - 1521) (compositions used: Missa L'ami baudechon and other sacred works)
"Altar of the Resurrected Sun (polyptych)" (2009), 56.5 x 56.5, 38 x 38, 38 x 38, 61 x 45.5, 61 x 45.5, after the music of Franz Schubert (1797-1828) (compositions used: Songs (Die Winterreise, Schwanengesang); Sonata for Arpeggione and Piano D821)
"Amethysts I" (2003), 112 x 137, after the music of Max Reger (1873-1916) (compositions used: Violin Solo Sonatas Op. 91 Nos. 2, 4, 7)
"Amethysts II" (2003), 61 x 51
"Angel of the Heart" (2024), 26 x 35.5, after the music of Antonio Vivaldi (1678-1741) (compositions used: Sonatas for recorder and basso continuo)
"Angel of the Wheat" (2018), 92 x 122, after the music of Antonio Vivaldi (1678-1741) (compositions used: La Senna festeggiante - serenata)
"Angels' Adoration (Kyrie)" (2021), 86.5 x 86.5, after the music of Antonio Vivaldi (1678-1741) (compositions used: Concertos for Strings: RV 113, 114, 127, 138, 151, 153, 156, 157, 161, 167)
"Anima Mea" (2014), 55.5 x 40.5, after the music of Johann Melchior Molter (1696 - 1765) (compositions used: Clarinet concertos Nos 1-5)
"Annunciation I" (2023), 137 x 168, after the music of Marcel Dupre (1886 - 1971) (compositions used: Annunciation Op. 56, Angelus Op. 34, Suite Op. 39 (mvt. 1 - 3), Offrande à la Vierge Op. 40, 6 Antiennes pour le temps de Noèl (nos. 1 & 2))
"Annunciation II" (2023), 137 x 168, after the music of Rautavaara (b. 1928) (compositions used: Organ works: Toccata, Op. 59 (version 2); Hymnus (1998); Laudatio Trinitatis; Haamarssi; Ta Tou Theou, Op. 30)
"Aquarium" (2008), 122 x 137, after the music of Max Reger (1873-1916) (compositions used: Violin concerto op.101 (1907-1908))
"Aquarius" (2006), 76.5 x 61 , after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Sonatas 1, 3, 4 (Opp. 1, 28, 29))
"Archangel Uriel" (2022), 167.5 x 91.5, after the music of Pyotr Ilyich Tchaikovsky (1840 - 1893) (compositions used: Symphony No. 4 (Op. 36))
"Aries" (2007), 76.5 x 56 , after the music of Johann Fux (1660 - 1741) (compositions used: Sacred Works)
"Assumption of the Virgin" (2023), 183 x 122, after the music of Buxtehude (1637/39 - 1707) (compositions used: Organ works (BuxWV 150, 155, 185, 203, 204) & Cantatas (BuxWV 67, 122))
"Awakening" (2018), 137.5 x 168, after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Concertos No.3 Op. 26, No.4 Op.53 and No.1 Op.10)
"Bach organ works" (2000), 122 x 112, after the music of JS Bach (1685-1750) (compositions used: Organ works)
"Baroque butterfly of the water melons" (2003), 122 x 96.5, after the music of Max Reger (1873-1916) (compositions used: Solo Cello Suites, Op 131c)
"Bathsheba" (2008), 137 x 122, after the music of Giovanni Bononcini (1670-1747) (compositions used: Cantate da Camera ("Care luci del mio bene" and others))
"Behold, He comes (Ecce venit)" (2017), 183 x 259, after the music of Haydn (1732-1809) (compositions used: Missa in augustiis (Nelsonmesse) Hob.XXII:11, Schopfungmesse Hob.XXII:13)
"Bird of love" (2003), 20 x 26
"Blessing" (2018), 61 x 71, after the music of Anton_Arensky (1861-1906) (compositions used: Piano Trio No1 Op.32, Piano Trio No2 Op.73)
"Blossoming in blue" (2004), 91 x 71, after the music of Paul Hindemith (1895-1963) (compositions used: Piano Works, op.37)
"Blossoming-of-the-Earth" (2021), 36 x 36, after the music of Johannes Brahms (1833 - 1897) (compositions used: Rhapsodies, op. 79; Intermezzos, Op. 117; Piano Pieces Op. 118-119)
"Blue geraniums" (2000), 122 x 112
"Blue Japanese women" (1999), 152 x 122
"Bride" (2004), 18.5 x 15.5
"Brown butterflies" (2001), 122 x 112
"Butterfly" (2001), 56 x 40
"Cancer" (2006), 61 x 61 , after the music of Nikolai Medtner (1880-1951) (compositions used: Songs for soprano (settings of various Russian poets))
"Capricorn" (2006), 76.5 x 61 , after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Sonatas for cello and piano 1 & 2 (Opp. 21, 63))
"Caspar and the bush" (2017), 56 x 40.5, after the music of Luigi Boccherini (1743 - 1805) (compositions used: String Quintets (1-3), Op. 28)
"Celebration of Tears, triptych - left panel" (2019), 55.5 x 55.5, after the music of Ludwig van Beethoven (1770-1827) (compositions used: Piano Sanatas: No.4 Op.7, No.19 Op.49, No.22 Op.54, No.13 Op.27)
"Cello Fantasia" (2020), 137 x 56, after the music of Antonio Caldara (1670 - 1736) (compositions used: Cello Sonatas Nos 5, 7, 10, 11, 14 and 16)
"Chamber cantata" (2008), 61.5 x 51 each, after the music of Max Reger (1873 -1916) (compositions used: Schlichte Weisen (Simple Ditties), Op. 76, 1903-1912 - songs)
"Chess I" (2002), 107 x 107, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano sonatas 4, 5, 6)
"Chess II" (2002), 107 x 107, after the music of Gabriel Faure (1845 - 1924) or bio on this site (compositions used: Nocturnes 7 - 13)
"Christ in the Garden of Gesthemane" (2023), 106.5 x 86, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: String Quartet No. 15 (Op. 144))
"Cinderella" (2008), 106.5 x 91.5 , after the music of Bohuslav Martinu (1890-1959) (compositions used: Piano Sonata and other works for piano)
"Conversation" (2006), 35.5 x 35.5
"Cooking music" (2000), 122 x 122
"Danae" (2008), 122 x 137.5, after the music of Rautavaara (b. 1928) (compositions used: Symphony No. 8, Harp Concerto)
"Dance of the Muses" (2009), 122 x 168, after the music of Haydn (1732-1809) (compositions used: Piano chamber music (concertini Hob. XIV:12, XVII:F2, divertimenti Hob XIV:3,7,C2) quintet Hob XIV:1))
"Dance of the Stars" (2023), 41 x 56, after the music of J�r�mie Roborg (compositions used: "Dance of the Stars" and "Sunny Revival")
"Dancing in blue" (2011), 112 x 106.5 , after the music of Louis Spohr (1784 - 1859) (compositions used: Mass op.54, Three Psalms op.85)
"Dancing to the Music of Time" (2017), 137 x 168, after the music of Rupert Ignaz Mayr (1646-1712) (compositions used: Selection of vocal works from Gazophylacium musico-sacrum (1702), Sacri concentus (1681) and Psalmodia brevis (1706).)
"Dancing with the Moon" (2003), 122 x 112, after the music of Paul Hindemith (1895-1963) (compositions used: String Quartets 2, 4, 7)
"Dandelion II" (2012), 61 x 40.5 , after the music of Mozart (1756 - 1791) (compositions used: Clarinet Quintet (K581); "Kegelstatt" Trio (KV 498))
"Dandelions" (2001), 56 x 35
"Das Marienleben (diptych)" (2007), 122 x 91.5 each, after the music of Paul Hindemith (1895-1963) (compositions used: Das Marienleben Op.27: (1922-23) for the left panel and das Marienleben (1935-48 version) for the right panel)
"Day of Recollections" (2021), 107 x 86.5, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Songs 1950-56: Two romances to lyrics by Lermontov Op. 85; Four dongd to lyrics by Dolmatovsky Op. 86; Four monologues to words by Pushkin Op. 91; Greek Songs; Five songs to lyrics by Dolmatovsky Op. 98; Spanish songs Op. 100)
"Daydream" (2014), 168 x 137, after the music of Max Reger (1873-1916) (compositions used: Sacred songs Op.138 Nr.1-4, Three motets Op.110 )
"Daylight for Three Voices" (2021), 112 x 137, after the music of Brossard (1655 - 1730) (compositions used: Sacred motets)
"Decalogue of the artist" (2000), 112 x 122
"Disputa (diptych)" (2007), 168 x 61 each, after the music of Paul Hindemith (1895-1963) (compositions used: Synphonia Serena (1946))
"Dragonfly" (2010), 40.5 x 51
"Dream" (2002), 112 x 122
"Drops of purity" (2012), 56 x 56 , after the music of Mozart (1756 - 1791) (compositions used: Piano sonatas Nos. 15-18 (KV 533, 545, 570, 576))
"Duet" (2005), 137.5 x 122.5, after the music of Max Reger (1873-1916) (compositions used: String Quartets Opp. 109, 121)
"Duo sonata (diptych), left panel" (2017), Each panel 106.5 x 56 , after the music of Arcangelo Corelli (1653 - 1713) (compositions used: Violin Sonatas, Op 5 (12 sonate a violino e violone o cimbalo) - Sonatas No1 to No6)
"Duo sonata (diptych), right panel" (2017), Each panel 106.5 x 56 , after the music of Arcangelo Corelli (1653 - 1713) (compositions used: Violin Sonatas, Op 5 (12 sonate a violino e violone o cimbalo) - Sonatas No1 to No6)
"Early morning" (2004), approx. 18 x 16
"Enigma" (2011), 46 x 40.5 , after the music of Camille Saint-Saens (1835-1921) (compositions used: Melodies sans paroles (songs transcribed for oboe and piano), Sonata for oboe and piano op.166)
"Evening Morning (diptych)" (2007), 122 x 153 (left panel) 122 x 122 (right panel) , after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Cello Sonata, Piano Quintet)
"Eye in the Desert" (2023), 137.5 x 137, after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: Cosmos, Op. 28 (1939 - 1940, rev. 1945); "Thus Spoke Zarathustra" Op.17, Symphony for 4 Quarter-Tone Pianos, 1929-30, rev. 1936)
"Eye on the sky" (2008), 61 x 76 , after the music of Arnold Schoenberg, Alban Berg, Anton Webern (compositions used: Piano works)
"Falling star" (2002), 107 x 107
"Flora" (2005), 86.5 x 107, after the music of Sergei Prokofiev (1891-1953) (compositions used: String quartet 1 and 2, Cello sonata)
"Following the Star" (2015), 137 x 168, after the music of Sergei Prokofiev (1891-1953) (compositions used: Symphony No. 7 Op. 131 and Symphony No. 4 Op. 112 )
"Forest fairy tale" (2003), 112 x 137, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony 19, Chamber Symphony 3)
"Forever together" (2011), 24.5 x 19.5 , after the music of Louis Spohr (1784 - 1859) (compositions used: Sonatas for violin and harp Op.114 and Op.115, Fantasie Op.118, Mary's Aria from Des Heilands letzte Stunden, Lied der Emma from the drama Der Erbvertrag)
"Friends" (2009), 21 x 21, after the music of Gabriel Faure (1845 - 1924) or bio on this site (compositions used: Songs)
"Garden of delights I" (2001), 30 x 29
"Garden of delights II" (2001), 30 x 29
"Garden of delights III" (2002), 30 x 29
"Garden of delights IV" (2002), 30 x 29
"Gemini" (2006), 61 x 76.5, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Preludes for Piano)
"Girl with a cat on a rainy day" (2001), 56 x 36
"Girl with purple flowers" (2001), 56 x 35
"Gold in the Sky" (2023), 137 x 168, after the music of Bohuslav Martinu (1890-1959) (compositions used: String Quartets 4 (H. 256) & 7 (H. 314))
"Golden Venus" (2004), 137 x 91.5 , after the music of Paul Hindemith (1895-1963) (compositions used: Piano Sonatas 1, 2, 3)
"Gothic song" (2002), 112 x 137, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Chamber symphonies 1, 4)
"Gratitude" (2008), 91.5 x 122.5, after the music of Renaissance composers on the Song of Songs (compositions used: Works on Canticum Canticorum)
"Green Dragonfly" (2020), 25.5 x 21, after the music of Bohuslav Martinu (1890-1959) (compositions used: (1) Ariette for Violin and Piano, H. 188 A; (2) Sonata for Violin and Piano No. 2, H. 208; (3) Seven Arabesques (Rhytmic Etudes for Violin and Piano), H. 201 A; (4) Sonatina in G major for Violin and Piano, H. 262; (5) Intermezzo (Four Pieces for Violin and Piano), H. 261)
"Green flower" (2004), 91.5 x 71 , after the music of Paul Hindemith (1895-1963) (compositions used: Ludus Tonalis (1945))
"Grieg - Lyric pieces" (2001), 92 x 71, after the music of Edvard Grieg (1843-1907) (compositions used: Lyric pieces, op.65, 68 and 71)
"Grieg - Peer Gynt" (2001), 76 x 71, after the music of Edvard Grieg (1843-1907) (compositions used: Peer Gynt, Suite No1, op.46 and Suite No. 2 op 55)
"Guardian Angel" (2019), 107 x 91.5, after the music of Sergei Rachmaninov (1873 - 1943) (compositions used: Sonata for cello and piano, Op. 19; Romance in F Major Op. 4, No. 3; Lied (Romance) in F minor; Melodie in D major; Prelude Op. 2, No. 1; Vocalise Op. 34, No. 14; Danse Orientale Op. 2, No. 2)
"Heavenly Garden" (2020), 91.5x107, after the music of Brossard (1655 - 1730) (compositions used: Lecons des morts, Dialogus poenitentis animae cum Deo)
"Heavenly tears" (2013), 40.5 x 56 , after the music of Max Reger (1873-1916) (compositions used: Works for piano (Aus meinem Tagebuch) op. 82)
"Hebrew meditations" (2005), 122.5 x 84, after the music of Ernest Bloch (1880 - 1959) (compositions used: Baal Shem, Suite Hebraique, Solo cello suites 1-3 )
"Hot summer day" (2004), 27.5 x 27.5, after the music of Antonio Carlos Jobim (compositions used: Samba de uma nota so)
"Hyacinth in the middle" (2003), 122 x 96.5, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: String Quartets 1, 10, 17)
"I am looking at you" (2006), 35.5 x 35.5
"I dream of You" (2018), 123 x 92, after the music of Baldassare Galuppi (1706-1785) (compositions used: (1) Confitebor tibi, Domini; (2) Arripe alpestri ad vallem)
"I sing a little song" (2010), 24.5 x 19.5, after the music of Sylvius Leopold Weiss (1686-1750) or more details on the composer's site (compositions used: Sonatas nos 36, 49 and 42)
"Illumination" (2004), 18.5 x 15.5 , after the music of Palestrina (c 1525 - 1594) (compositions used: Song of Songs)
"Improvisation (Angel of Humility)" (2018), 92 x 123, after the music of Robert Descombes (compositions used: Improvisations by Robert Descombes)
"Ina of Urbino" (2004), 112 x 137 , after the music of Max Reger (1873-1916) (compositions used: Piano Quartet Op. 133 and Duos for 2 Violins Op. 131b)
"Jewish Bride" (2004), 28 x 27.5
"Journey of a Star" (2009), 61 x 61, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Songs (Trois melodies, La mort du nombre, Chants de Terre et de Ciel))
"Jubilate Deo" (2015), 137 x 56 , after the music of Buxtehude (1637/39 - 1707) (compositions used: Sacred Cantatas: Jesu, meine Freud und Lust, BuxWV 59; Sicut Moses, BuxWV 97; In te, Domine, speravi, BuxWV 531; Wenn ich, Herr Jesu, habe dich, BuxWV 107; Jubilate Domino, BuxWV 64; Wie schmeckt es so lieblich und wohl, BuxWV 108)
"King Lemon" (2008), 61 x 45.5, after the music of Antonio Vivaldi (1678-1741) (compositions used: Wind concertos)
"Kisses of the Wind" (2015), 25 x 20, after the music of William Byrd (1539/40 - 1623) (compositions used: Cantiones Sacrae: Emendemus in melius, Libera me Domine et pone, Peccantem me quotidie, Aspice Domine quia facta est, Attolite portass, O lux beata Trinitas, Laudeate pueri Dominum, Memento homo, Siderum rector)
"Lanterns (diptych)" (2000), each panel 137 x 61
"Laudabo te Domine in aeternum" (2012), 107 x 92 , after the music of Giacomo Carissimi (1605 - 1674) (compositions used: Mass for Three Voices, Motets)
"Laudetur Jesus Christus" (2016), 137 x 137, after the music of Bohuslav Chernohorsky (1684-1742) (compositions used: Litanie Lauretanae; Regina Coeli A 8; Vesperae Minus Solenne; Dixit Dominus; Confitebor; Beatur Vir; Laudate Pueri; Laudate Dominum; Magnificat; Quare Domine Irasceris; Memento Abraham; Regina Coeli; Quem Lapidaverunt; Laudetur Jesus Christus)
"Leo" (2006), 61 x 61 , after the music of Max Reger (1873-1916) (compositions used: Sonatas for Solo Violin, Op.91, Nos. 1, 3, 5, 6)
"Libra" (2006), 76.5 x 61 , after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: Viola sonata Op. 34 and works for 2 and 4 pianos tuned a quarter tone apart (Etude sur le mouvements rotaries Op. 45c, Dialogue Op. posth, Etudes sur les densites et les volumes I & II Op. 39bis, Dithyrambe Op. 12))
"Light" (2003),
"Lily of the Valley" (2020), 36 x 36, after the music of Pyotr Ilyich Tchaikovsky (1840 - 1893) (compositions used: Eighteen Piano Pieces, Op. 72)
"Little daisy" (2000),
"Love from first sight I" (2001), 56 x 51
"Love from first sight II" (2001), 56 x 51
"Love songs" (2005), 122.5 x 84, after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa Alleluia)
"Madonna of Chicago" (1999), 137 x 122
"Madrigal" (2007), 122 x 137 , after the music of initially C. Monteverdi, Madrigals Book 4. The work was completed on the music of Giovanni Legrenzi (circa 1626-1690) (compositions used: "Dies Irae" and motets)
"Magic and miracle" (2003), 112 x 137, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano works for children Op. 16, 19, 23, Piano trio Op. 24)
"Mass for three voices" (2016), 122 x 152.5, after the music of Francesco Durante (1684-1755) (compositions used: Mass for two sopranos, bass and continuo; Vespers for the Blessed Virgin fot soloists, choir and continuo)
"Meditation (triptych)" (2013), each panel 35.5 x 35.5 , after the music of Andre Campra (1660-1744) (compositions used: Petit motets (In Domino gaudebo, Florete prata, Exurge Domine, O sacrum convivium, O Jesu amantissime, Ecce quam bonum, Laudeate Dominum de caelis etc.))
"Meditation in white" (2017), 112 x 138, after the music of Paul Hindemith (1895-1963) (compositions used: Violin Solo Sonatas Op. 31 Nos. 1 & 2, 41 Duos for 2 Violins (1930))
"Meditation on the Holy Trinity" (2007), 137.5 x 168 , after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Meditations sur le Mystere de la Sainte Trinite (Meditation on the Holy Trinity) - organ works)
"Melody" (2017), 56 x 40.5 , after the music of Georg Friedrich Handel (1685-1759) (compositions used: Cantatas HWV142, HWV152, HWV133, HWV105)
"Memories" (1998), 66 x 71
"Michaelmas" (2017), 152.5 x 244 , after the music of Maksym Berezovsky (1745 - 1777) (compositions used: Liturgy, Eucharistic Verses)
"Mizraim, mizraim" (2003), 112 x 137, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Violin concertos 1 and 2)
"Moon meadow" (2003), 71 x 91.5, after the music of Josquin (c. 1450 to 1455 - 1521) (compositions used: Motets)
"Music lesson" (2009), 137 x 168, after the music of Philipp Heinrich Erlebach (1657 - 1714) (compositions used: Cantatas ("Ich will euch wiedersehen" and others))
"Musica Nova" (2005), 122 x 183 , after the music of Paul Hindemith (1895-1963) (compositions used: Wind Septet, Clarinet Quintet Op. 30, Octet)
"My backyard" (2005), 102 x 86, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: 24 Preludes and Fugues for piano Op. 87)
"Mysteries of the future (after Van Eyck)" (2000-2003), 168 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Organ works - Les Corps Glorieux (1939), Verset pour la fete de la Dedicace (1960))
"Nocturne" (2021), 26 x 20.5, after the music of John Field (1782-1837) (compositions used: Nocturnes Nos 1-9; Sonatas Op.1, Nos1-2)
"Oboe trio and a harp (diptych)" (2005), 122.5 x 112 each, after the music of Paul Hindemith (1895-1963) (compositions used: Sonatas for Viola Solo (Opp. 11 No. 5, 25 No. 1, 31) - for Obo Trio, Concertos for Viola - (A Harp))
"Octava Spera I" (2010), 152.5 x 91.5 , after the music of Dmitri Shostakovich (1906-1975) (compositions used: String quartets Nos 7 and 14)
"Octava Spera II" (2011), 152.5 x 91.5, after the music of Guillaume Dufay (c.1397 - 1474) (compositions used: Isorhythmic motets, transcr. Paul Van Nevel)
"Ode to Spring" (2010), 51 x 40.5, after the music of Nikolai Medtner (1880-1951) (compositions used: Violin Sonatas nos 1 and 2 (op.21 and op.44), two Canzonas with Dances op.43)
"Ora pro nobis" (2015), 168 x 122.5, after the music of Francesco Durante (1684-1755) (compositions used: Pastorale and motet for the Nativity of Jesus Christ Ad precepe venite, Magnificat a 4 (B-Dur and C-moll), Litanie della Beate Maria Virgine, Kyrie and Gloria mass (A-Dur) in Pastorale)
"Orange Blossoms in the Night" (2020), 107 x 84, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: 24 Preludes, Op.34 (1932-33); Piano Sonata No 1, Op. 12 (1926); Aphorisms, Op. 13 (1927); Three Fantastic Dances, Op. 5 (1922))
"Painting the rainbow" (2004), 122 x 183, after the music of Max Reger (1873-1916) (compositions used: Quartet for Strings in D minor, Op. 74, Trio for Strings no 2 in D minor, Op. 141b)
"Pentecost" (2021), 137 x 173, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Messiaen's Complete organ works - vol.5: Messe de la Pentecote, Livre d'Orgue 1951)
"Pink azaleas" (2004), 61 x 51, after the music of Paul Hindemith (1895-1963) (compositions used: Kammermusik, Konzertmusik - concertos for piano and orchestra)
"Pink Lily" (2023), 107 x 86.5, after the music of Nikolai Medtner (1880-1951) (compositions used: Piano Sonata Op. 25/1 "Skazka"; Forgotten Melodies I Op. 38)
"Pisces" (2006), 76.5 x 61 , after the music of Paul Hindemith (1895-1963) (compositions used: Piano Concerto (1945), The Four Temperaments)
"Poiesis I - Art" (2014), 137.5 x 112, after the music of Max Reger (1873-1916) (compositions used: Cello Sonatas 2 (Op.28) and 3 (Op. 78))
"Poiesis II - Science" (2014), 137.5 x 112, after the music of Max Reger (1873-1916) (compositions used: Works for piano - Six Preludes and Fugues Op.99; Episodes Op.115)
"Poiesis III - Religion" (2015), 137.5 x 112, after the music of Max Reger (1873-1916) (compositions used: Organ works - Sonata No. 2, Op.60; Twelve pieces Op.65, Nos. 7-12)
"Primavera (diptych)" (2004), 168 x 61 each, after the music of Jean-Michel Damase (b 1928) (compositions used: Works for Flute, Harp and Strings)
"Psalm" (2011), 122 x 137.5 , after the music of Johann Rosenmüller (1619 - 1684) (compositions used: Latin Psalm Concertos (Jube Domine, In te Domine speravi etc.))
"Queen of Flowers" (2018), 122 x 168, after the music of Bohuslav Martinu (1890-1959) (compositions used: Cantatas)
"Queen of quinces" (2007), 137.5 x 168 , after the music of Max Reger (1873-1916) (compositions used: Sonatas for Solo Violin, Op.91, Nos. 1, 3, 5, 6)
"Queen of spades" (2003), 112 x 137, after the music of Bohuslav Martinu (1890-1959) (compositions used: Cello sonatas 1, 2 and 3)
"Reason and Mercy (diptych), left panel" (2018), 168 x 102, after the music of Haydn (1732-1809) (compositions used: (1) Symphony No. 103 (“Drum Roll”), (2) “Kleine Orgelmesse” Hob.XXII:7)
"Reason and Mercy (diptych), right panel" (2018), 168 x 102, after the music of Haydn (1732-1809) (compositions used: (1) Sinfonia Concertante, Hob.I/105; (2) “ Nikolaimesse” Hob.XXII:6)
"Red Angel of the Waratah" (2002), 91 x 122, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony 2, Chamber symphony 2)
"Reger - Chamber music" (2001), 137 x 76, after the music of Max Reger (1873-1916) (compositions used: String quartets op.54, 1 and 2; String Trio in A minor, Op. 77B)
"Reger - The two serenades for flute" (2001), 76 x 137, after the music of Max Reger (1873-1916) (compositions used: The two serenades for flute, violin and viola - in D, op. 77a, in G op. 141a )
"Ruby Cherubim" (2003), 137 x 61.5, after the music of Rautavaara (b. 1928) (compositions used: Symphony 7, Organ concerto)
"Sagittarius" (2007), 61 x 61, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Piano works - Catalogue d'oiseaux, Books 3, 4, 5)
"Salome" (2003), 112 x 137, after the music of Paul Hindemith (1895-1963) (compositions used: String Quartets 1 and 5)
"Scorpio" (2006), 61 x 61, after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa In Nativitate Beatae Mariae Virginis)
"Seeds of Love" (2006), 122 x 153 , after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa de Septem Doloribus)
"Self-portrait" (2013), 107 x 84, after the music of Andre Campra (1660-1744) (compositions used: Motets: O Jesu amantissime, Beati omnes, Immensus es Domine, Quam dilecta tabernacula tua, Salvum me fac Deus)
"Semillon lady I" (2000), 51 x 41
"Semillon lady II" (2000), 71 x 61
"Serenade" (2006), 122 x 183, after the music of Paul Hindemith (1895-1963) (compositions used: Sonatas for violin and piano (in E# Op. 11/1; in D Op. 11/2; in E, from 1935; and in C, from 1939))
"She walks in beauty" (1999), 137 x 122
"Singen die Blumen" (2010), 153 x 122 , after the music of Max Reger (1873-1916) (compositions used: String sextet in F major op.118, String trio in A minor op.77b)
"Singers of the Rose Cross (Left)" (2022), 112 x 137, after the music of Sergei Prokofiev (1891-1953) (compositions used: (1) Quintet, Op. 39 In G Minor; (2) Divertissement, Op. 43bis; (3) Five Melodies for Violin and Piano, Op. 35b)
"Singers of the Rose Cross (Right)" (2021), 112 x 137, after the music of Bohuslav Martinu (1890-1959) (compositions used: Chamber music for viola: Three Madrigals (Duo no 1), H313; Duo no 2 for Violin and Viola, H331; Sonata for Viola and Piano, H355; Chamber Music no 1 , H376)
"Soap bubbles" (2002), 106 x 87, after the music of Paul Hindemith (1895-1963) (compositions used: String trios 1 and 2)
"Sonata for four horns" (2006), 122 x 152.5 , after the music of Paul Hindemith (1895-1963) (compositions used: Sonata for Four Horns, Sonatas for Horn and Alto Horn, Wind Quintet Op. 24 No. 2)
"Song of Innocence" (2015), 138 x 138, after the music of Buxtehude (1637/39 - 1707) (compositions used: Sacred cantatas: BuxWV62, BuxWV 10, BuxWV 31, BuxWV 34, BuxWV 15, BuxWV 41)
"Song of the dawn" (2005), 107 x 86.5, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Piano works - Catalogue d'oiseaux, Books 1,2)
"Song of the Fire" (2012), 137.5 x 137.5, after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: (1) Laetatus sum ZWV 90; (2) Alma Redemptoris Mater ZWV 123; (3) Solicitus fossor ZWV 209)
"Song of the Goddess Natura" (2013), 137 x 168 , after the music of Max Reger (1873-1916) (compositions used: Violin Sonatas #4 Op. 72 and #5 Op. 84)
"Spanish portrait" (2004), 112 x 137 , after the music of Rautavaara (b. 1928) (compositions used: Piano works)
"Square night" (2002), 107 x 107, after the music of Nikolai Myaskovsky (1881 - 1951) (compositions used: Cello sonatas 1 and 2, Cello concerto)
"St Agatha" (2008), 102 x 76, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: String Quartets 6, 8, 9)
"St John the Evangelist" (2022), 81.5 x 81.5 & 25.5 x 21, after the music of Rautavaara (b. 1928)
"St Luke the Evangelist" (2022), 81.5 x 81.5, after the music of Bohuslav Martinu (1890-1959) (compositions used: (1) Double Concerto for Strings, Piano & Timpani, H. 271; (2) Concerto for string quartet & orchestra, H. 207; (3) String Quartet No. 5, H. 268)
"St Mark the Evangelist" (2022), 81.5 x 81.5, after the music of Paul Hindemith (1895-1963) (compositions used: 1. Symphony 'Die Harmonie der Welt' (1951); 2. Symphony 'Mathis der Maler' (1934))
"St Mary Magdalene" (2020), 55.5 x 55.5, after the music of Henri Du Mont (1610 - 1684) (compositions used: (1) Pour les Vepres, Pour les fetes de l'annee (2) Alemande grave, Litaniae Beatae Mariae Virginis No. 39 from "Cantica Sacra", Symphonia No. 24 and Allemanda No. 25 from "Cantica Sacra", Dialogus angeli et peccatoris, Pavana and Sarabande 3 parties)
"St Matthew the Evangelist" (2022), 81.5 x 81.5, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Couleurs de la cité céleste; Oiseaux exotiques; Sept Haikai; Un vitrail et des oiseaux)
"Stargazers" (2008), 122.5 x 71, after the music of Bohuslav Martinu (1890-1959) (compositions used: String Quartets 3, 6 and other chamber works)
"Still life in red (Martha and Mary)" (2003), 112 x 112, after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: 24 Preludes dans l'echelle chromatique diatonisee a 13 sons, Op. 22 (1934/rev. 1960/70), Etude sur le mouvements rotaries Op. 45a (1961))
"Street musician" (2003), 122 x 112, after the music of Bohuslav Martinu (1890-1959) (compositions used: Symphonies 1 and 2)
"Summer concert" (2011), 40.5 x 46, after the music of Antonio Vivaldi (1678-1741) (compositions used: Recorder Concertos RV95, 441-5)
"Summer fruits" (2002-2007), 122 x 122
"Summer's Radiance" (2022), 71 x 56, after the music of Constantijn Huygens (1586 - 1687) (compositions used: Selection of songs from Pathodia Sacra Et Profana )
"Sunset moods" (2005), 122.5 x 112, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Piano Sonatas 1-3 (Opp. 5, 8, 31))
"Symphony Nr 7 (after Weinberg)" (2004), 137 x 168 , after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony No. 7 for strings and harpsichord, Op. 81)
"Taurus" (2006), 61 x 61, after the music of Paul Hindemith (1895-1963) (compositions used: Cello concerto Op. 3 (1916), Kammermusik No. 3 Op. 36/2 (1925), Cello concerto (1940))
"Te Deum in Green" (2020), 122x168, after the music of Michel-Richard de Lalande (1657 - 1726) (compositions used: Te Deum Laudamus, Panis Angelicus, La grande piece royale, Venite exultemus)
"Telemann - 12 sonatas metodiche" (2001), 112 x 122
"Tenderness" (2016), 56 x 56, after the music of Luigi Boccherini (1743 - 1805) (compositions used: Trio for violin, viola and violoncello in C minor, Op. 14 No. 2; Quartet for two violins, viola and violoncello in A major, Op. 39; String Quintet Op. 27 No. 4 in E flat major (Quintettino), G304; String Quintet Op. 39 No. 2 in F major, G338)
"The Alchemist" (2005), 137.5 x 112, after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Sonatas 2, 7, 8)
"The Angel of Forgiveness" (2018), 152.5 x 122, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Violin Solo Sonatas 1-3 (Opp. 82, 95, 126))
"The Angel of Growth" (2009), 168 x 122, after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: Missa Dei Patris ZWV 19 (1740))
"The Angel of Justice" (2010), 153 x 122, after the music of Gabriel Faure (1845 - 1924) or bio on this site (compositions used: Requiem)
"The Angel of Life" (2009), 153 x 122, after the music of Sergei Prokofiev (1891-1953) (compositions used: Piano Concertos Nos. 2 and 5)
"The Angel of Love" (2010), 153 x 122, after the music of Dmitri Shostakovich (1906-1975) (compositions used: String quartets Nos 1,3 and 4)
"The Angel of Power" (2010), 168 x 122, after the music of Sergei Rachmaninov (1873-1943) (compositions used: Preludes, op.32 nos.5-13, Piano Sonata No.2)
"The Angel of Truth" (2009), 153 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Piano works - Catalogue d'oiseaux, Books 6 and 7)
"The Angel of Wisdom" (2009), 168 x 122, after the music of Antonio Vivaldi (1678-1741) (compositions used: Motets (for soprano) RV 600, 631, 632)
"The apparition of the fishermen" (2006), 122 x 137 , after the music of Paul Hindemith (1895-1963) (compositions used: Serenade Op. 35, Sonatas for oboe and piano, English horn and piano, Hecklephone trio Op. 47)
"The Ascension" (2019), 183 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Organ works (Apparition de l'Eglise Eternelle, Diptique, La Banquet Celeste); L'Ascension)
"The Baptism of the Lord" (2022), 137 x 167.5, after the music of Paul Hindemith (1895-1963) (compositions used: (i) Kammermusik No. 7, Op. 46/2 (1927); (ii) Organ Concerto (1962))
"The Blossom of Sound" (2015), 137 x 56 , after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: Sonata for violin and piano, op.134; sonata for viola and piano, op.147)
"The Burial of Virgin Sophia" (2014), 122 x 183, after the music of Paul Hindemith (1895-1963) (compositions used: (1) Mass (1963); (2) Organ Sonatas 1 and 2)
"The Call of Life, triptych - central panel" (2019), 55.5 x 55.5, after the music of Haydn (1732-1809) (compositions used: Keyboard sonatas: Hob.XVI: 25 - 30)
"The Chess Player" (2014), 137 x 137.5, after the music of Sergei Prokofiev (1891-1953) (compositions used: Hebrew overture Op. 34; piano works Op. 45 (Veshchi v sebe - Things in themselves); Op. 54 Nos. 1 & 2 (Piano sonatinas); Op. 59 Nos. 1-3 (Three pieces) and Op. 62 (Pensees - Thoughts))
"The composer's garden" (2013), 71 x 92 , after the music of Louis Spohr (1784 - 1859) (compositions used: Piano Trios Nos. 1 & 2 (Opp.119 & 123) )
"The Dream of Venus" (2016), 137.5 x 168, after the music of Franz Schubert (1797-1828) (compositions used: Lieder)
"The Fight for Heaven" (2020), 112 x 138, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Symphony No. 4 in A minor, Op. 61; Violin Concerto in G minor Op. 67; Rhapsody on Moldavian themes Op. 47 No. 1)
"The Finding of Moses" (2019), 137 x 168, after the music of Rupert Ignaz Mayr (1646-1712) (compositions used: Marienvesper, Sancti Concentus)
"The first ray of the Sun" (2005), 86.5 x 107, after the music of Thomas Tallis (1505 - 1585) (compositions used: Motets, Mass for Four Voices)
"The Flower of Childhood" (2014), 122.5 x 122.5, after the music of Franz Schubert (1797-1828) (compositions used: String quartet No. 13 (D.804), String quartet No. 10 (D.87))
"The flowers of little Ida" (2008), 71 x 92 , after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: "La Fauvette des jardins" (The Garden Warbler), works for piano (1975))
"The fruit of the soul I" (2012), 40.5 x 40.5, after the music of Mozart (1756 - 1791) (compositions used: Flute Cto No 1 K313, Flute Quartets K285, K285a, K298)
"The fruit of the soul II" (2012), 40.5 x 40.5 , after the music of Sylvius Leopold Weiss (1686-1750) or more details on the composer's site (compositions used: Sonatas nos 15 and 48)
"The fruit of the soul III" (2012), 40.5 x 40.5, after the music of Johannes Brahms (1833 - 1897) (compositions used: Sonatas for piano and violin nos. 1-3 (op. 78, 100, 108))
"The Golden Lake" (2004), 31 x 41
"The Holy Grail" (2021), 86.5 x 86.5, after the music of Hildegard von Bingen (1098 - 1179) (compositions used: Vespers)
"The horn" (2005), 137.5 x 61.5, after the music of Dmitri Shostakovich (1906 - 1975) (compositions used: String quartets 2, 12)
"The joy of autumn" (2005), 97 x 71.5 , after the music of Paul Hindemith (1895-1963) (compositions used: Concertos for wind instruments (clarinet, 1947; horn, 1949; trumpet and bassoon, 1949; flute, oboe, clarinet, bassoon and harp, 1949) )
"The King's Joy" (2010), 24.5 x 19.5, after the music of King Leopold I (1640-1705) and Antonio Bertali (1605-1669) (compositions used: Regina Coeli by King Leopold I, Sonatas by A.Bertali)
"The kiss" (2004), 91.5 x 71 , after the music of Paul Hindemith (1895-1963) (compositions used: Sonatas for viola and piano (Op. 11/4, 1919; Op. 25/4, 1922; sonata from 1939))
"The Light of Heavenly Worlds" (2019), 122 x 168, after the music of Paul Hindemith (1895-1963) (compositions used: Clarinet sonata (1939), Quartet for clarinet, violin, violoncelo and piano (1938))
"The lit candle" (2011), 61 x 84 , after the music of Perotin (c. 1200) and anonymous works (compositions used: Notre Dame school chants (12th-14th centuries))
"The little fly" (2000), 66 x 61
"The magic flute" (2005), 137.5 x 76.5, after the music of Sergei Prokofiev (1891-1953) (compositions used: Violin Concertos 1 and 2, Violin Sonata)
"The Minstrel's song (diptych)" (2017), Each panel 91.5 x 60.5, after the music of Bohuslav Martinu (1890-1959) (compositions used: Piano Trios Nos. 1 - 3 (H. 193, 327, 323), Duo No. 2 (H371))
"The Muses of Time" (2020), 152.5 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Quartet for the End of Time)
"The old pub" (2000), 122 x 122
"The Revelations of Spring (diptych)" (2012), Left 137 x 122, Right 122 x 168, after the music of Paul Hindemith (1895-1963) (compositions used: (1) Cantata "Ite Angeli veloces" (2) Organ sonata No. 3)
"The Rose of Fire, triptych - right panel" (2019), 55.5 x 55.5, after the music of Mozart (1756 - 1791) (compositions used: Piano sonatas: No. 6 KV284; No. 7 KV309; No. 8 KV310)
"The Rose of the World" (2021), 167.5 x 91, after the music of Sergei Rachmaninov (1873 - 1943) (compositions used: The Divine Liturgy of St. John Chrysostom Op. 31)
"The Shadow" (2000), 112 x 122, after the music of JS Bach (1685-1750) (compositions used: The Violin Concertos)
"The Truth is blue" (2002), 137 x 112, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: String quartets 7, 8, 9)
"The virgins and the lamps I" (2001), 112 x 107, after the music of Edvard Grieg (1843-1907) (compositions used: Lyric pieces, op.12, 38, 43 and 47)
"The virgins and the lamps II" (2001), 112 x 122, after the music of Edvard Grieg (1843-1907) (compositions used: Lyric pieces, op.54, 57 and 62)
"The white hibiscus" (2009), 122 x 137.5, after the music of Jean-Michel Damase (b 1928) (compositions used: Piano Music (Theme et Variations, Apparition, Huit Etudes etc))
"Thinking of Daphne" (2001), 122 x 102
"Touch of a water-horse" (2000), 122 x 137
"Transfigured Night" (2016), 56 x 56, after the music of Arnold Schoenberg (compositions used: Transfigured Night Op. 4; Trio for Violin, Viola & Cello Op.45; Phantasy, Op. 47, for Violin and Piano)
"Truth Shall Spring out of the Earth and Righteousness Shall Look down from Heaven" (2016), 168 x 122, after the music of Georg Friedrich Handel (1685-1759) (compositions used: (1) Gloria in excelsis Deo, HWV deest; (2) Te Deum "Queen Caroline", HWV 280; (3) "The ways of Zion do mourn" Funeral Anthem for Queen Caroline, HWV 264)
"Vespers" (2010), 107 x 86.5, after the music of Sergei Rachmaninov (1873 - 1943) (compositions used: Vespers (All-Night Vigil, Vsenoshchnoe Bdenie) Op.37, 1915)
"Virgin of the Butterflies" (2023), 56 x 41, after the music of Willaert (1490-1562) (compositions used: Missa Mittit ad Virginem; Mittit ad Virginem; Motets: O Gloriosa Domina, Ave Maria, Beata Viscera)
"Virgin Sophia" (2006), approx. 21 x 21 , after the music of Arnold de Lantins (d.1432), Johannes Brassart (c. 1400-1455), Johannes Cesaris (1406-1417) (compositions used: Missa verbum incarnatum (de Lantins), Motets)
"Virgin Sophia of the Day" (2013), 122 x 168 , after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: (1) Te Deum ZWV 146; (2) Confitebor Tibi Domine - Ps 110 ZWV 71; (3) Alma Redemptoris Mater ZWV 126)
"Virgin Sophia of the Night" (2012), 137 x 168 , after the music of Ivan Wyschnegradsky (1893-1979) (compositions used: Two Meditations on themes from the Journal of Existence for cello (in 1/2, 1/3 and 1/6 tones) and piano Op. 7 (1918-1919, rev. 1976), Etude sur la carre magique sonore Op. 40 (1957, rev. 1970) for piano, Arc-en-ciel Op. 37 (1956) and Arc-en-ciel II Op. 52a (1956-58) for 6 pianos tuned 1/12 tone apart, Chant douloureux Op. 6 (1918) for violin (in 1/2, 1/3, 1,4 and 1/6 tones) and piano, Chant nocturne Op. 11 (1927, rev. 1971) for violin (in 1/2, 1/4, 1/6 and 1/8 tones) and 2 pianos tuned 1/4 tone apart.)
"Virgo" (2006), 76.5 x 61 , after the music of Pierre de La Rue (circa 1452-1518) (compositions used: Missa de Septem Doloribus)
"Virgo Prudentissima" (2022), 36 x 36, after the music of Leonin (1150s-1201) (compositions used: Liturgical compositions from Magnus Liber organi)
"Water music" (2016), 112 x 137.5, after the music of Max Reger (1873-1916) (compositions used: Violin Sonata Op.122, Suite for Violin and Piano Op.103a)
"Weinberg Preludes for solo cello" (2001), 84 x 97, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Works for solo cello: Preludes (24) for solo cello and Sonata for solo cello No. 1)
"Weinberg Sonatas for solo cello" (2001), 66.5 x 82, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Cello Solo Sonatas Nos. 2, 3 and 4)
"Where my thoughts end" (2018), 56 x 56, after the music of Alban Berg (1885 - 1935) (compositions used: Lyric Suite - quartet for strings (1926), String Quartet Op.3)
"White Angel of the kalalilly" (2002), 122 x 122, after the music of Olivier Messiaen (1908-1992) or see this site (compositions used: Vingt Regards sur l'Enfant Jesus, 1944)
"White Angels (diptych)" (2011), each panel 168 x 122 , after the music of Jan Dismas Zelenka (1679 - 1745) - discover Zelenka (compositions used: Litaniae de Venerabili Sacramento, Regina coeli laetare, Salve Regina mater misericordiae, Lectiones, Invitatorium)
"White Chrysanthemum" (2020), 122 x 152.5, after the music of Mieczyslaw Weinberg (Moishei Vainberg) (1919-1996) (compositions used: Six Ballet Scenes: Choreographic Symphony Op. 113; Symphony No. 22 Op. 154)
"White flower" (2010), 20 x 15, after the music of Georg Friedrich Handel (1685-1759) (compositions used: Dixit Dominus)
"With a scent of lavender" (2004), 28.5 x 27 , after the music of Russian Orthodox church music
"Woman with a mask" (2000), 66 x 61